Author Archives: ralake

Thanks To Snowboarding…

Ra Stall

I didn’t grow up as a Milo kid skiing or snowboarding every weekend, I don’t do back-to-back seasons and I’m not a particularly skilled or ‘stylish’ rider. However, none of this detracts from the fact that I am one hundred per cent completely addicted to the shred. I could spend hours watching videos, reading magazines, trawling through photos and blogs, talking about and thinking about snowboarding. As an aside, the only other thing I could possibly spend more time being as unproductive on is football, but I support a sinking ship that shall only be referred to as Titanic United for want of saving myself from the taunts of supporters of other rather more successful clubs, so no one really wants to listen to my rants about that.

My boss once asked me if the only reason I came to work was to have enough money to go snowboarding and, as much as I hate to admit it, even to myself, when I think about where I have been over the past few years, the answer is probably, no definitely, yes.

Remarks Mist Nay

Holidays, by definition, should be time of rest. Kick your shoes off, grab a cocktail and lounge by the pool for a couple of weeks. I haven’t taken one of these relaxing, summer type holidays in years, and given the choice between four weeks on an isolated beach with non-stop mojitos, sunshine and blue waters or a frenzied ten days of driving hundreds of kilometres, early starts, late nights, freezing cold weather and incredibly sore muscles*, I know what I would choose. And one of the main reasons I love it so, apart from the fact that goggle tans are far more attractive then full-body tans, is the places snowboarding has taken me and the people I have met.

Now, I am no sybarite, but seasons and even extended trips really make you appreciate the comparative luxuries of home. If you don’t live in a two-bedroom apartment with five other people, count yourself lucky. And if you have your own room – win! Sharing confined car spaces, hotel rooms, beds and sometimes, even toothbrushes, brings you very close together, very quickly. And although I may only see some of these people once every couple of months, or every six months or once a year if I’m lucky, they are my family. The bond created is pretty unique. It is a crazy love we share for something that drives you ever closer to the poverty line and that is probably causing some irreparable damage to your knees and back, not to mention your liver, that can only be understood by those who have experienced it in one way or another. It’s amazing how you can pick right up where you left off with someone you may have met a few years ago and not seen since. Or how random, repeated brief encounters can eventually lead to life-long friendships.

Sakka

It is not just the people that snowboarding has introduced me to that deepens my love for it, but also the places I have been because of it. I recently spent some (very limited) time in Japan and it is one of, if not the, most fantastic places I have visited. You can read about a country and study the language and listen to stories from people who have been there, but you can only really gain a deeper understanding and respect for the mores of another culture by being a part of it. My childhood was spent all over South-East Asia but everything about Japan was completely different from anywhere I have been to. The language, the art, the fashion, the people, the food, the way of life. But it is not just a clashing culture that you can learn something from. Somewhere like Canada or the US, which on the surface does not appear to be that different from Australia, is resplendent with cultural gems, if you are willing to take the time to look. Immersing yourself in the culture – whether that means sake with a dinner dish that you’re not quite sure of, but you eat anyway despite the disturbing moving flesh-looking bits on the top, or downing beer after beer in some dive of a bar while watching hockey, a sport you know nothing about, but yell at the TV when everyone else does anyway – this, to me, is what travelling is about. And if it is snowboarding that has got you there, maybe it’s time to take a sec and say thanks.

So, thank you snowboarding. Thanks to you, I have: two bung knees, a never-ending snow debt with the Bank of Mum and Dad, sent a thirteen year old boy to hospital for stitches, hung out with snow monkeys in onsens, fallen in love (or maybe just lust), had my heart broken, taken $80k rental cars for spins in the icy car park, an ever-recovering coccyx, had ridiculous fights about powder day etiquette, learnt how to converse with a Japanese doctor while my delirious and broken sister yelled for painkillers, a family that spans the globe and a million memories, good and bad, that I wouldn’t exchange for anything.**

*I use this word quite loosely when referring to myself.

**This is negotiable. What have you got to offer?

Ra  xxx

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Attn: Children of Winter

J Olsson - Mt Hood

Fifty-nine. The number of films the prolific Warren Miller has made to date.  

Filmed in Japan, Austria, BC, Oregon, Idaho, Colorado, Utah, Vermont, Iceland and of course, Alaska, Children of Winter is the latest release from Warren Miller Productions. Skiers and riders featured include Marco Sullivan, Seth Wescott, Gerry Lopez, Ben Watts, Josh Dirksen, Mark Landvik, Wendy Fischer and many, many, many more.

And it’s that time of year again. Warren Miller on tour. Always gets me a little giddy as it means winter is waiting for me just down the street and around the corner. And then down that next street at the T-intersection. Children of Winter is showing at Sydney’s State Theatre from the 28th of May until the 31st. Check the film’s website for national tour dates and ticket info.

Now, this film has not been getting great reviews. Jonny Moseley has taken over the production company – directing, narrating and starring in it. Too long, too much talking, not enough skiing, too many filler shots. But the cinematography looks amazing, the soundtrack is rad and, well, it’s about snow, so fuck it, I’m still going.

Forty-two. The number of days till season opener.

Can’t bloody wait.

Yours in pow,
Ra  xxx

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Splendour 2009

splendour09

 

It is hands down my favourite festival of the year, and now the first lineup for the 9th edition of the Splendour Bender Weekender is up. It’s good. Not great. (Two of the headliners have already visited our shores once in the past six months.) And selfishly, I’m kind of glad, since I can’t go this year. Sigh.  

Delighting your eyes and ears (and nose and mouth, ew) in Byron come July will be:

Bloc Party

The Flaming Lips – Always good when your sanity levels begin to reach ‘normal’

Jane’s Addiction – Original lineup. Maybe some fighting? One can only hope.

MGMT 

The Specials – Shit yeah!

Hilltop Hoods – It’s a festival, of course they are

Grinspoon

Midnight Juggernauts

Sarah Blasko

Augie March

Josh Pyke

Friendly Fires - I’ll be sideshowing this one, fo sho. 

Little Birdy

Birds of Tokyo

The Gutter Twins

Manchester Orchestra – Ridiculous. Ridiculously sick! 

Yuksek

Bob Evans

White Lies

Kram

Yves Klein Blue

Decoder Ring

Lost Valentinos

 Leader Cheetah

 Jack Ladder

The Middle East

Polaroid Fame

Glass Towers

 Tickets go on sale at nine o’clock on the dot (I’m in my drop top cruisin’ the streets) on May 14, through what is definitely one of the most frustrating ticketing websites to have ever existed, Q Jump. I suppose they’re slightly better than the Oztix Debacle of 2007. Remember these guys?

Stupid Stickmen

Splendour in the Grass 2009

Sat July 25th and Sunday July 26th
Belongil Fields, Byron Bay

 

Ra  xxx

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Luis Buñuel: Fo (Sur)real!

Un Chien Andalou

I have fairly scattered memories of my three years as an undergrad, but this image right here from Luis Buñuel’s Un Chien Andalou, the one of a fucking razor blade cutting across Simone Mareuil’s eye, the one that sends shivers down my spine every time it pops into my head (which, surprisingly, is more times than would be considered normal), yeah, this one takes me right back into that Old Geology Lecture Theatre, where I spent hours watching a collection of the most influential and not-so-influential, strange and not-so-strange, extremely boring and not-so-boring films of the past one hundred years. I suppose it is a testament to Buñuel’s brilliance that out of the many hundreds of hours of lectures and the thousands of essay words written, he is the one person/subject that has not sifted through the sieve that is my ‘university brain.’ 

Regarded as the father (grandfather, brother and uncle) of surrealist cinema, Buñuel died in July 1983, leaving behind thirty-two films and one hell of a legacy. Un Chien Andalou, is surrealism in its purist, but Viridiana, is quite possibly my favourite of his films. The context and time in which it was made just adds so much to its fascination for me. After twenty-four years in political exile, Buñuel returned to Spain to make a film about a novice nun who visits her uncle before taking her vows, only to be drugged and raped by him. Needless to say, Franco was not happy (Jan)*. Somehow, Buñuel managed to create a social commentary piece on a country cut off from the rest of the world by its Fascist regime, in said fascist’s own backyard and then slip it straight past his censors. Some sort of genius, definitely. But I wouldn’t really expect anything less from a man who used to dress up as a nun, along with Frederico Garcia Lorca, board trams and then proceed to wink and nudge at male passengers.   

The Spanish Film Festival is paying tribute to one of the most important directors EVER on the 25th anniversary of his death, spotlighting his films for this year’s festival, including Un Chien Andalou and Viridiana. The festival is also presenting an exhibit that has me counting down till the end of the month when I can finally run across the road and get me some lunchtime brain food. The exhibition, Buñuel – Amigos y Peliculas, is (hopefully) a fascinating selection of  photos, letters and posters from the Centro Buñuel de Calanda in Spain.

So, if you too would like the image of an eye ball being sliced in half as firmly ingrained into your subconscious as it is in mine…

Buñuel – Retrospective is screening as part of the Spanish Film Festival at Palace Academy Twin (Paddington), Palace Norton Street (Leichardt) & Chauvel Cinema (Paddington) from May 6 till May 18.

Buñuel – Amigos y Peliculas is showing at Sydney Customs House from April 29 till May 24. 

Oh, and (dot) (dot) (dot)

*sorry

Ra  xxx

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Brian Peter George St. John le Baptiste de la Salle Eno is Luminous

Luminous

In an announcement that is sure to get your little cochlea and oculi all in a flutter, musician, singer, producer, composer and knitter (probably, he can do everything else) extraordinaire Brian Eno, is to curate the innaugural Luminous Festival. A total legend of the music industry, Eno started off in rad as hell band, Roxy Music before going on to produce albums for Talking Heads, U2, and Coldplay, write a regular column for The Observer, publish a deck of cards that can help you solve any quandary you may find yourself in and create an app for the piece of technology that still eludes me – the iPhone. At some point during all this madness, he even found time to compose that short bite of sound you hear when starting up Microsoft Windows. Although, as that sound signals the start of my work day, I can’t say I’m particularly attached to it. Sorry, Brian. 

Surprisingly, Eno has never been to Australia before, but what a way to make an entrance. He’ll be bringing with him math rockers, Battles, reggae and dub god, Lee ‘Scratch’ Perry and my personal favourites, Ladytron. One of the ten people who could change the world, ClientEarth’s chief executive James Thornton, will be leading a forum on the environment and social change. I’m sure that title sitting on my shoulders would weigh me down far too much to even leave the comfort of my large, mahogany scented office, and this is probably the main reason I am not on that list.

To kick off the festival, Eno’s vivid artwork will be cast on to the sails of the late Jorn Utzon’s architectural masterpice. That’s right, lights and laserZ projected on to the Opera House for three weeks straight. If somebody lends me a tent, I think I might just set up camp on the bridge and stare. If someone else brings me graham crackers and marshmallows, maybe we can have some smores as well. The festival will also feature the Australian debut of Eno’s amazing 77 Million Paintings, a visual and audial delectation that has been described by Time Magazine as “layers of gorgeous, intensely coloured abstract images [that] appear, morph and dissolve into one another, then fade away into something entirely new.”

I don’t know about you, but I’m almost peeing my pants in anticipation. And I only say almost because, while I’m often accused of being incompetent, incontinent, is definitely one thing I’m not. Luminous takes place at the Sydney Opera House and is just one part of the city-wide Vivid Sydney that begins on the 26th of May, and will sadly come to a close on the 14th of June. There will be so much going on, I can’t even begin to cover it in the few words I have to write before you lose interest, so check out the Luminous website for performance dates, tickets, more info and some pretty graphics. 

Ra  xxx

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For My Sydney Wish List

Design Festa Gallery

After my recent three week jaunt, I’ve come to the conclusion that Japan is the single most awesome place on the planet. Even the Natural History Museum can’t compete with this corner of the world. Heated toilet seats to keep your bum toasty warm, vending machines EVERYWHERE selling anything and everything you could possibly imagine, insane fashion and technology, a polite, honest and friendly population and more culture oozing out of every temple and crack in the road that in a ten litre tub of yoghurt. God, I could holiday in that place forever. Sadly, reality is a bitch and the holiday is more than over. Luckily I have an infinite supply of memories and one of the highlights of the trip was definitely Tokyo’s Design Festa Gallery.

Tucked away in the back streets of Harajuku, this gallery only adds to Tokyo’s um, radness. Every single space in the gallery’s two wings and courtyard is an exhibition space, even the toilets. Everything is a canvas – the walls, vending machines, bins, ceilings, staircases…

Design Gallery Fiesta Recycle (Ra Lake)

The gallery was opened as an off shot of Design Festa, an international art festival held biannually at Tokyo Big Sight, that boasts to be the biggest event of its type in the world. 7000 artists and 2600 booths – quite large. Anyway, back to the gallery. There are 29 art spaces spread between the older West Wing, which used to house traveling gaijin like myself, until 1998, and the East Wing, which opened in 2007. The gallery also features 77 Wall Art Piece spaces. The cost for the artist varies depending on the size of the space and the length of time they wish to show, but the gallery takes no commission on any sale. You may not pardon the cliche, but this place really is an artist’s paradise.      

After wandering up and down stairs, in and out of exhibit rooms, conversing with the artists as they cooked with friends to the sound of a little bit of J-Pop and drawing us as egg people, we sat down for an Asahi and a short chat with Nigel, who wanted to find out about our experience at Design Festa Gallery. He quizzed us about Australia, what brought us to Japan, how long we were staying and how five girls from Australia even knew how to snowboard. At one point he may have asked us what we thought about the gallery. We even made it on to the gallery’s blog. Yes, I’m on the Japanese interwebs, I must be famous. What do they say? I’m big in Japan.

This rant really only leaves me with one question. Why is there no place like this in Sydney?* 

Egg People

* Correct answers will be rewarded with cupcakes. Or penny farthings. Whichever I have more stock of at the time.

Ra  xxx

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